It's Elemental

Tag: Goethe

  • Patterns in Process: Transdisciplinarity as a Background for Working with the Elemental Cycle of Transformation

    Patterns in Process: Transdisciplinarity as a Background for Working with the Elemental Cycle of Transformation

    Elemental Cycle Abstract

    This essay outlines connections between the Elemental Cycle as an archetype of transformation, transdisciplinarity, and  cybernetics.  A number of questions are addressed: the nature and importance of connecting these fields, an examination of resources and the dominant disciplinary discourses for the associated fields, and a critical examination of my assumptions, beliefs, and position.

    Introduction

    How often do we find ourselves in a position of not being able to see something unless it is first pointed out to us?  This happens all the time with the visual and other physical senses, but of course also occurs in our thinking; certain concepts seem to hide in plain sight, and unless we are cued into where and how to look for (or to think about) them, they slide on by as a part of the undifferentiated background of conceptual life.  Usually we are introduced to these sorts of concepts just like we are to new people, through a third party who is already familiar with each of us: “Seth, I’d like you to meet Recursion; Recursion, this is Seth.”  Often with this sort of introduction comes an experience: “Oh hello Recursion!  You know, I feel like you must hang out at some of the same coffee-shops as I do, but we’ve never been formally introduced.”  And so a relationship begins with a concept, and just as with human beings, you can become more intimate and familiar, get into fights, seek new levels of understanding, and go on adventures. (more…)

  • The Art of Nature: Alchemy, Goethe, and a New Aesthetic Consciousness

    The Art of Nature: Alchemy, Goethe, and a New Aesthetic Consciousness

    Are you fascinated by the beauty of forms in the natural world?  Do you sense something amazing at work out there, like an intelligence that lies just beneath the surfaces of things?  Then I invite you to read a new essay that explores the building of a new aesthetic consciousness that seeks to connect us with natural processes in a way that is truly transformative.  I follow threads from alchemy into the genius of Goethe, and end with intimations brought forth by Rudolf Steiner, and even include some home-made animations as a part of a practical exercise for you to work with.  You are invited to come and participate in opening a new set of eyes…

    The Art of Nature: Alchemy, Goethe, and a New Aesthetic Consciousness

  • how do you know what knowledge is?

    It’s quite a dilemma – not being able to directly check much of what we are exposed to and presented as ‘knowledge’.  Unless we begin to discover our own ways of knowing (a very difficult proposition, but I think possible), then we likely remain wanderers in the fog of our own (and other’s) unconsciousness.  

    Of course, at least in any near future, it doesn’t seem like subconscious situational effects can be avoided – nor do I think they should be.  Much of what we enjoy as part of our everyday capacities for thinking, feeling, and willing are rooted deeply and complexly in unconscious processes.  Indeed, what is normally conscious for us is perhaps one of the tiniest slices out of what can be potentially conscious, and perhaps the potentially conscious is just the tiniest slice out of the full depth and breadth of the universe as a whole – or not (because, in accord with what I just said, this is an impossible determination, requiring consciousness to take place).  

    In any case, pretty much EVERY modern study that follows the basic scientific practices is a study in obfuscation, requiring for its potential success a decided ignorance of as many ‘attenuating’, ‘circumstantial’, ‘probabilistic’, or ‘random’ factors as possible.  The more willfully ignorant a study becomes, the more exact are its pronouncements, and the more its knowledge is sequestered from the whole.  This is why all studies require additional work to be re-connected to the complex actualities of the world, necessitating interpretation, reframing, and recontextualization.   

    This suggests a different way of performing ‘studies’, discovered long ago by Goethe and others, in which the situatedness, the contingency, the circumstantial, are all necessarily included aspects of any attempt to work with and understand a phenomenon. 

    plants-11


  • concerning the evolution of consciousness

    Earth –> Day-waking (i.e. ‘normal’ adult) consciousness 
    Water –> Imaginative consciousness 
    Air —-> Inspirational consciousness 
    Fire —> Intuitive consciousness  

    Earth –> Thinking ‘about’ – object-oriented 
    Water –> Thinking ‘with’ – process oriented 
    Air —-> Thinking ‘between’ – polarity-oriented, (Brad exemplifies this very well) 
    Fire —-> Thinking ‘as’ – whole-oriented  

    Further, considering that all thinking is relational, and all relations are between beings:  

    Earth –> consciousness of other as if the other was an object (separation) 
    Water –> consciousness of other as if you were dreaming into the other’s experience, as if you were ‘seeing’ in an inner way the other’s perspective 
    Air —-> consciousness of other “as if” you were the other from the inside, as if you were ‘hearing’ in an inner way the tonality of the other’s experience 
    Fire —> consciousness of other AS the other, as if the other were living through and into you directly, with almost no distinction between who is who  

    The sequence is one which lays out the polarities between separation and coincidence of self and other.  Goethe made a strong case for the Water, or process, level of experiencing with his morphological studies of plants and his scientific work (particularly optics).


    Earth, Water, Air, and Fire
    Earth, Water, Air, and Fire