To the question:
“Is there any art or skill than can not be done with a Zen mindfulness?”
I answered:
“No. Even the skill of not being Zenly mindful can be done with Zen mindfulness.”
DRAT! Foiled again!
To the question:
“Is there any art or skill than can not be done with a Zen mindfulness?”
I answered:
“No. Even the skill of not being Zenly mindful can be done with Zen mindfulness.”
DRAT! Foiled again!
Now, another challenge was proposed, to proceed to a third transposition inspired by Varela’s star cybernetics.
My response:
simplistic/complex —> multi-ordered simplexity
how to fix/how to engage —> ascripted re-presencing
compulsive mappings/flexible relations —> constructive deconstruction
textbook categorizations/situational phenomenologies —> second-order homeodynamics
control the universe through mapping/participate in the universe through walking its territory –> co-construction of universe and self
dominant masculinist purposefulness/creatively shifting between feminine/masculine —> post-dual dynamics
shift power from the described to the describer/described and describer abdicate power to each other —> described as describer, describer as described
psychic inflation and self-magnification/psychic robustness and continuous self-recontextualization —> the fractal self
a grand pyramid with the advocate on top/a complex web with the advocate teleporting between nodes —> a-nodal/plen(r)um-nodal phase space
lacking poetic insights/poetry as rhythmic healing —> language as regenerative/dissociative capacity
lacking a feeling for the concrete/able to connect without abstraction through action —> recursive manifestation/abstraction
lacking embodiment of an aesthetic/able to create and shift between evolving aesthetics —> the aesthetics of aesthetics
The following exercise was proposed:
Take the following list, culled from a critique of Ken Wilber’s work by philosopher William Irwin Thompson, Coming Into Being and write the opposites.
simplistic
how to fix
compulsive mappings
textbook categorizations
control the universe through mapping
dominant masculinist purposefulness
shift power from the described to the describer
psychic inflation and self-magnification
a grand pyramid with the advocate on top
lacking poetic insights
lacking a feeling for the concrete
lacking embodiment of an aesthetic
My response:
simplistic —> complex
how to fix —> how to engage
compulsive mappings —> flexible relations
textbook categorizations —> situational phenomenologies
control the universe through mapping —> participate in the universe through walking its territory
dominant masculinist purposefulness —> creatively shifting between feminine/masculine
shift power from the described to the describer —> described and describer abdicate power to each other
psychic inflation and self-magnification —> psychic robustness and continuous self-recontextualization
a grand pyramid with the advocate on top —> a complex web with the advocate teleporting between nodes
lacking poetic insights —> poetry as rhythmic healing
lacking a feeling for the concrete —> able to connect without abstraction through action
lacking embodiment of an aesthetic —> able to create and shift between evolving aesthetics
I’d like to make a contribution with regards to circularity/linearity, from a geometrical standpoint. If you don’t like geometry, stop reading, or better yet, read with increased intensity.
The polarity between circle/line is one that is fundamental to many geometries – they are taken to be quite different logical entities. Primarily this arises because of (in a move parallel to Russel’s need to introduce the Theory of Types to avoid paradox) a limited way of dealing with infinity. Cybernetics shows us, by providing a wider view (attention to relations, recursions, and thus relations of relations, etc.) that the Theory of Types is unnecessary and points towards a more flexible and mysterious understanding of paradox. In the same way, projective geometry provides a way of dealing with infinity that encompasses, expands, and re-frames the conventional geometric view. (more…)